A Review of Ian Rogers’ Every House is Haunted (ChiZine, October 2012)
By Derek Newman-Stille
Ian Rogers makes the familiar strange in Every House is Haunted, taking comfortable locales, experiences, and people and turning them into unfamiliar territory, the realm of the unexpected and weird. Rogers conducts a hauntology of place, showing the role of memory that swirls around the places we visit, the continuing, lurking presence of the bizarre in the dark corners of our existence.
True to its name, Every House is Haunted contains several short stories about haunted houses, but Rogers takes the notion of home and expands it to homely, familiar experiences, and illustrates that haunting can be an experience of the unusual within the ordinary, a subversion of everyday experience. Rogers de-familiarises everything from the experience of constructing buildings, island life, small towns, urban spaces, starting a new job, books, family, and even makes the body itself a foreign and forbidding place. Everything has a dark undercurrent, illustrating the role of secrets and the hidden the underlies our experience.
In Rogers’ stories, small towns are places of hidden secrets, urban spaces are places where anything negative is blocked from view, jobs can be places of dark importance where one’s experience is benefitting an unknown party, family histories lurk under their current experiences rising like ghosts from the grave to haunt the descendants, and new knowledge from books can contain a hidden price. There is a predatory quality to objects in Rogers’ books, a haunting un-life and intention that makes everything foreboding. After reading Every House is Haunted, nothing is familiar any more, and everything takes on a sinister quality.
Rogers illustrates his fascination with the power of literature and stories by bringing into his own short stories books that can transpose their writing onto human bodies to evoke ancient evils, mediums using stories to help the dead find their way into the otherworld, writing as a means to keep sane during an apocalypse, and the role of stories for giving voice to the under-represented people and even ecologies denied voice. Rogers brings us into moral grey areas, encouraging us to question stories, delve deep into them and interact with them, and also reminds us that every story contains the potential for both danger as well as ecstasy.
To find out more about Ian Rogers’ current projects, you can visit his website at http://www.ian-rogers.com/ . You can find out more about Every House is Haunted and other ChiZine books at http://chizinepub.com/ .