Monthly Archives: March 2019

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Dreaming of Justice

Dreaming of Justice

A review of Drew Hayden Taylor’s “Dreams of Doom” in Take Us To Your Chief And Other Stories (Douglas & McIntyre, 2016)

By Derek Newman-Stille

Dream catchers have fascinated the cultural imagination and been used by white authors as a plot feature in their stories (such as Stephen King’s Dreamcatcher), so it is powerful that Drew Hayden Taylor, an aboriginal person, reclaims the image of the Dream catcher in his fiction. “Dreams of Doom” is a story about government conspiracy connected to Dreamcatchers. Pamela Wanishin, a writer for a small, Aboriginal newspaper, gets mailed a thumb drive full of secret government documents and finds herself at the heart of a conspiracy by the Canadian government to control and further oppress Indigenous peoples.

This is a common tale of a reporter who finds herself followed by government agents who want to silence her, but Hayden Taylor puts a spin on the tale, combining the traditional story with aspects of the Canadian government’s oppression of Aboriginal people. Hayden Taylor uses metatextual approaches to point out the way that he has played with a common text by putting an Indigenous slant to stories, even referring to some of these stories in his tale, but with names altered to highlight their Indigenous connection like All the Prime Minister’s Men, Ojibway Holiday, The Blue Heron Brief, and The Girl with the Orca Tattoo. He also connects the events of his story to other aspects of Canada’s oppression of Indigenous people, bringing up attempts in the past to pacify First Nations through things like the White Paper, the Oka Crisis, Ipperwash, and Idle No More.

Hayden Taylor disrupts Canada’s image of itself as a “Just Nation” by illustrating the history of injustices the country has perpetrated as well as the country’s ability to hide its injustices and erase them from history or wash over them. As for the connection to Dream catchers, I will leave that for Hayden Taylor to tell you all about in “Dreams of Doom”.

To discover more about Take Us To Your Chief, visit http://www.douglas-mcintyre.com/book/take-us-to-your-chief

To find out more about Drew Hayden Taylor, visit https://www.drewhaydentaylor.com

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Decolonized Space

Decolonized Space

A review of Drew Hayden Taylor’s “Lost in Space” in Take Us To Your Cheif (Douglas & McIntyre, 2016).

By Derek Newman-Stille

In “Lost in Space”, Drew Hayden Taylor explores the first Anishinabe man to travel into space. He is travelling as part of a mining operation set out amongst asteroids. Hayden Taylor uses the imagery of being Lost in Space to explore how an Anishinabe man negotiates his connection to Earth and to the four directions when he is in space, without a reference point. Although he knows exactly where he is in space, he ponders his relationship to his planet and to his people. He explores the sense of disconnection with home.

Hayden Taylor shapes these questions partially through a conversation between Mitchell and his grandfather. His grandfather invites critical questions about what space will mean for Mitchell: “But being Native in space… Now that’s a head-scratcher. Think about it. We sprang from Turtle Island. The earth and water are so tied into who we are. There’s an old saying, ‘the voice of the land is in our language'”. Mitchell seeks to find his own language and his own connection to his culture while away from home, having been denied his hand drum, which scientists said would put too much vibrational pressure on the hull, he needs to find new ways of expressing who he is and expressing his connection to family and home.

To discover more about Take Us To Your Chief, visit http://www.douglas-mcintyre.com/book/take-us-to-your-chief

To find out more about Drew Hayden Taylor, visit https://www.drewhaydentaylor.com

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Colonialism

Colonialism

A review of Drew Hayden Taylor’s “A Culturally Inappropriate Armageddon Part II: Old Men and Old Sayings ” in Take Us to Your Chief And Other Stories (Douglas & McIntyre, 20160.

By Derek Newman-Stille

Indigenous people have been accustomed to alien invasions and the decimation of land and culture and Drew Hayden Taylor adapts the history of colonialism to new frontiers of science fiction in his book Take Us To Your Chief and Other Stories. In A Culturally Inappropriate Armageddon Part II: Old Men and Old Sayings, Hayden Taylor focusses on an old man, Willie Whitefish, and his experiences of care homes, but, beyond that, he explores Willie’s history of surviving residential schools and his unique ability to see potential warning signs when he hears about an approaching alien space ship. Willie’s history of dealing with a violent, colonial government has prepared him for what he (and the rest of the world) is likely to experience.

Although ignored by most of the PSWs in the care home he is living in, Willie reflects on his knowledge of history “everything from Columbus straight through the Pilgrims landing at Plymouth Rock, to the Traill of Tears, to the impact of the sale of Alaska on the Inuit and the Aleutians”. Willie is aware of what happens with the arrival of strangers from a distant place and that it traditionally means mass murders of the indigenous people of a region and the cultural genocide of those people in following generations. He points out that people should know better, but, then again, most of the people welcoming these visitors from the stars have been the colonizers, not the displaced and colonized people and therefore that the people excited about visitors from the stars haven’t paid enough attention to history from an indigenous perspective.

To discover more about Take Us To Your Chief, visit http://www.douglas-mcintyre.com/book/take-us-to-your-chief

To find our more about Drew Hayden Taylor, visit https://www.drewhaydentaylor.com

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Chrysalis

Chrysalis 
A review of Lena Ng’s Love Transcendent in We Shall Be Monsters (Renaissance Press, 2018)
By Derek Newman-Stille

Lena Ng’s Love Transcendent is a belle mort tale of transformation. Exploring the Ancient Greek image of the soul represented as a butterfly, Ng explores the idea of death itself as a process of beautiful transformation, as a chrysalis in which the caterpillar of life becomes something majestic and winged after life. 

This beautifully macabre tale explores the role of a young doctor seeking to understand the body, who ultimately becomes fascinated with what exists beyond the physical. As much as he is fascinated by the inner workings of the body, he is fascinated by the aesthetics of embodiment. Life evokes a passion for discovery in him that is all-consuming, a desire to understand things that are unfathomable. 
This is a tale of a doctor’s obsession born of death and his desire to catch glimpses of the uncanny.
Ng’s tale is a meta tale with a young doctor seeking answers beyond science by picking up the text of Frankenstein, detailing Victor’s success in resurrection and using it for his own model. Yet, Ng complicates the text, illustrating the limits of science and that there is some ephemeral otherness that occurs in death and in resurrection.
This is a tale of a surgeon’s battle between professional detachment and love. 

To find out more about We Shall be Monsters, visit Renaissance Press’ site at https://renaissancebookpress.com/product/we-shall-be-monsters/