Northguard Resurrected

A review of Anthony Falcone and Ron Salas’ Northguard #1 (Chapterhouse Comics, 2016)
By Derek Newman-Stille

I was a huge fan of Mark Shainblum’s and Gabriel Morrissette’s Northguard comics, even though I discovered them long after they had stopped being published. I had a fascination with the idea of the conflicted superhero, Philip Wise, whose love of comics allowed him to change military technology into a superhero identity, dressing himself in the Canadian flag and taking on the image of the superhero to try to do some good in the world. Like Canadians ourselves, Wise was uncertain about his identity and constantly reassessing what it meant to wear the Canadian flag and how this related to his identity. He was a superhero who was defined by intersections, defined by his own desire to constantly question what he thought he knew and any easy answers that were provided for him. 

I was incredibly excited to find out that Chapterhouse Comics had decided to bring back Northguard, but was hopeful that Shainblum and Morisette would be writing the comic. I had worried that others wouldn’t be able to capture the character’s uncertainty, his conflicted nature, and his naive innocence. I finally decided to give Anthony Falcone and Ron Salas’ run of the comic a chance. Their Northguard is an older, more seasoned superhero, lacking the innocence and naivity of the younger Philip Wise. This is a Northguard who has already proven himself and made a name for himself amongst officials at PACT. 

Like Shainblum and Morissette’s Northguard, the Chapterhouse Northguard quickly becomes enwrapped in conspiracies and in conflicts between Canada and organizations in the United States who believe they have a place in determining Canada’s future. My hope is that we can see some of Philip Wise’s personality coming through this Northguard – some of his uncertainty and questioning of the world around him, and his interrogation of the notion of Canadian identity, particularly from his perspective as a Jewish Canadian who has experienced discrimination before. I look forward to seeing some depth develop for Northguard, some conflict. 

It was exciting to see that Gabriel Morrissette had written a mini-comic as part of this issue of Northguard featuring the character in his 80s garb, and allowing a bit of retro playfulness come through this character. Morrissette’s flashback gives us some insight into Philip Wise’s time between the early run of the comic and the Chapterhouse revisions of the character.

To discover more about Chapterhouse comics, visit https://www.chapterhouse.ca

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Golden Age Girls of Canadian Comics

A review of Kalman Andrasofszky and Blake Northcott’s Agents of PACT # 1 (Chapterhouse, 2017)
By Derek Newman-Stille

Many of the new Chapterhouse comics seem to be focussed on the narratives of men, so it is exciting to see that Agents of PACT is focussed on women. As a fan of the original Northguard comics by Mark Shainblum, I was extremely excited to see that Agents of PACT # 1 opened with the Northguard character Fleur de Lys. This flash from the past set the tone for the comic as one that is bringing back a golden age of Canadian comics, exploring figures from Canadian comic history and newly revised versions of these characters. 

Agents of PACT #1 interweaves narratives from Chapterhouse’s new Captain Canuck narrative with figures like Fleur de Lys, bringing in new narratives with characters that speak to a history of Canadian comics. Chapterhouse portrays a world on the edge of transition and change, with new powers arising in different people, organizations fighting over political power and the ability to shape the future, and the intrusions of further paranormal activity. 

This is also a comic about what it means to be a superhero, a question that is poignant for the Canadian comic book fan since frequently comic book historians like John Bell have suggested that Canadians are uncomfortable with the idea of the superhero, particularly given the superhero’s highly individualistic and self-aggrandizing nature. Marla is a character who has developed abilities to control liquid gold, but doing so causes her physical and emotional pain, and she is still trying to figure out what it means to be a superhero and if she, herself, counts as a superhero. Andrasofszky and Northcott draw on aspects of Mark Shainblum’s Northguard in producing a superhero who is self-critical and self-questioning, a character who invites questions about what it means to be a superhero. 

To find out more about Agents of PACT, visit https://www.chapterhouse.ca/collections/agents-of-p-a-c-t 

What Happens When the Magical Girl Grows Up?

A review of Nicole Chartrand’s Shattered Starlight # 1 
By Derek Newman-Stille

We’ve probably all heard of “Magical Girl” stories – figures like Sailor Moon. “Magical Girl” stories generally feature teens who are suddenly called upon to fight forces of evil, given superpowers and magical items, and through their fights learn about responsibility, friendship, and the power of community. But.. what happens when the “Magical Girl” grows up? 
Nicole Chartrand’s Shattered Starlight comic explores a woman who used to be a Magical Girl and has grown up. She still has her powers and her mystical hockey stick, but she also has all of the issues of an adult – having to deal with problematic bosses, watching friendships change and fade as people get older and find out new things about themselves, and dealing with moral grey areas. 

Arcturus, Guardian of Heaven contrasts with many of the magical girl tropes. Her magical handler is an alcoholic who no longer provides much in the way of guidance. Her teammates have mostly gone their separate ways, challenging the Magical Girl trope of community and friendship. Now everything is about to change for her. Her role as a Magical Girl turned woman is shifting and she is told by her boss that she should think of the change in her role as being like a new job.

Chartrand wrote and illustrated the comic, illustrating her proficiency at both. The characters, drawn with huge eyes and expressive faces as well as incredible costumes evoke the golden age of Magical Girl stories, and also show how hard it is for Arcturus to fit in with her contrastingly simple outfit. At times she is overwhelmed by walls of previous magical girls in typical costumes, dwarfing her and portraying her as a small part of a larger tradition. Chartrand illustrates the complicated fit of Arcturus in this world of magical girls. 

To discover more about Shattered Starlight and Nicole Chartrand, visit http://www.shatteredstarlight.com/about/

Although this is a review of the physical first issue of the comic, you can read the webcomic at http://www.shatteredstarlight.com

Radical Acts of Beauty

A review of Daniel Heath Justice’s “The Boys Who Became The Hummingbirds” in Moonshot: The Indigenous Comics Collection Volume 2” (Edited by Hope Nicholson, Alternative History Comics, 2017)
By Derek Newman-Stille

Daniel Heath Justice’s “The Boys Who Became The Hummingbirds” is a comic about resilience and transformation, highlighting the desire of a two-spirit boy to change the world around him through acts of beauty. Despite homophobia, environmental degradation, and all forms of hate against each other, Strange Boy seeks to heal others by bringing beauty into the world. Like many people who seek to bring healing and beauty into the world, especially if they are marginalized, Strange Boy experiences violence. He discovers that a lot of the violence from the people around him is an externalized form of self loathing, their hatred of themselves projected outward toward anything beautiful, anything that represents a reminder of joy that they can’t imagine themselves having.

“The Boys Who Became The Hummingbirds” is an act of beauty in a harsh and close-minded world, it is Daniel Heath Justice’s act of transformative magic, sharing a story of transformation with a world that needs beauty. It is a tale that reminds us that no matter how much violence the world inflicts on us, we can speak back by bringing beauty into the world. Our acts of art can be transformative, remaking the world and opening up others to express their beauty. 

Beautifully illustrated by Weshoyot Alvitre, “The Boys Who Became The Hummingbirds” is filled with images of movement and light. It is a comic that can show the interiors of bodies and make even our bleeding, organic insides things that can be filled with a certain magnificence and wonder. Alvitre is able to capture the etherial quality of hummingbirds, their darting magnificence.

The intwined arts of Daniel Heath Justice and Weshoyot Alvitre add to the message of the story, emphasising the focus of the story on collaborative arts and the ability of one form of art, one story, to resonate in another.

To discover more about Daniel Heath Justice, visit http://imagineotherwise.ca

To discover more about Weshoyot Alvitre, visit https://www.facebook.com/Weshoyot/

To find out more about Moonshot Vol 2, visit https://www.kickstarter.com/projects/1350078939/moonshot-the-indigenous-comics-collection-volume-2

Speculating Canada on Trent Radio Episode 69: A Chat with Mark Shainblum

On this episode of Speculating Canada on Trent Radio, I invite Mark Shainblum back to talk about Canadian Superheroes. This time, we were able to do our interview at Ad Astra.

You can listen to this episode of Speculating Canada on Trent Radio at the link below.

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This audio file was originally broadcast on Trent Radio, and I would like to thank Trent Radio for their continued support. I would also like to thank Dwayne Collins for his consistent tech support and help with the intricacies of creating audio files.

Make sure to allow a few minutes for the file to buffer since it may take a moment before it begins to play.

Speculating Canada on Trent Radio Episode 54: An Interview with Ray Fawkes

In this episode of Speculating Canada on Trent Radio, I interview comic book artist and author Ray Fawkes. Fawkes worked on comics such as “The Spectral Engine”, “Mnemovore”, “One Soul”, and “Intersect”. He has also worked on canonical DC comics titles like “Justice League Dark”, “Constantine”, “Batgirl”, and “Gotham by Midnight”.

We discuss the relationship between art and writing in comics, the power of the comic book form, making a canonical character one’s own, and sexuality in comics.

You can listen to this episode of Speculating Canada on Trent Radio at the link below.

img_0564-2

This audio file was originally broadcast on Trent Radio, and I would like to thank Trent Radio for their continued support. I would also like to thank Dwayne Collins for his consistent tech support and help with the intricacies of creating audio files.

Make sure to allow a few minutes for the file to buffer since it may take a moment before it begins to play.

Speculating Canada on Trent Radio Episode 47: An Interview with Kelsi Morris

In this episode of Speculating Canada on Trent Radio, I interview Kelsi Morris, editor, comic book fan, and genre fan. Kelsi and I talk about monsters, comics (and Canadian comics in particular), fan culture, cosplay, and feminism. Kelsi brings in her own experience of comics as a comic book editor and her current work editing an anthology on Canadian myths and monsters titled “Those Who Make Us”.

You can listen to this episode of Speculating Canada on Trent Radio at the link below.

Explore Trent Radio at www.trentradio.ca

Explore Trent Radio at http://www.trentradio.ca

This audio file was originally broadcast on Trent Radio, and I would like to thank Trent Radio for their continued support. I would also like to thank Dwayne Collins for his consistent tech support and help with the intricacies of creating audio files.

Make sure to allow a few minutes for the file to buffer since it may take a moment before it begins to play.

You can find more information about Kelsi Morris’ anthology Those Who Make Us at https://thosewhomakeus.wordpress.com/