Spec Can made the short list for a Prix Aurora Award

Dear Readers,

I have exciting news – Speculating Canada has made the short list for the Prix Aurora Awards. I am excited to see that Speculating Canada has made such an impact and that people are excited about the unique way that Spec Can explores Canadian SF.

I want to thank everyone who has participated in various ways in shaping Speculating Canada into what it is today. Speculating Canada has been very collaborative, growing out of the support, encouragement, and suggestions of readers. I have been very lucky to have very incredible Canadian SF authors and publishers take interest in Spec Can and am fortunate that so many of them have sent me books to review that I would not have otherwise encountered. I also want to thank all of those who I have interviewed for their incredible insights, general brilliance, and for giving me the exciting experience of chatting with them about things that I am really passionate about.

Here is the Short List for the Prix Aurora Awards:


I am excited to say that a few of the authors on the short list are people that I consider to be friends and that there are several works that Speculating Canada has reviewed this year that have made the short list. Here are a few links to reviews of items on the Prix Aurora Awards short list:

Karen Dudley’s Food For The Gods


Chadwick Ginther’s Thunder Road


Leah Bobet’s Above


Douglas Smith’s The Walker of the Shifting Borderland


Sandra Kasturi and Halli Villegas’ Imaginarium 2012


Helen Marhsall’s Hair Side, Flesh Side


On Spec




Thank you all for your continued support. I am so pleased that Speculating Canada has allowed me to connect with so many amazing and brilliant people.

Derek Newman-Stille

Imagining Canadian Speculative Fiction

An Editorial on SF Versus Realist Fiction and a Review of Imaginarium 2012:

Derek Newman-Stille reading Imaginarium 2012

The Best Canadian Speculative Writing Edited by Sandra Kasturi and Halli Villegas (ChiZine Publications, 2012).
By Derek Newman-Stille

I received a copy of Imaginarium 2012: The Best Canadian Speculative Writing on August 23rd and was so excited that I had to read the essay introducing the volume right away even though I had several other projects on the go. The collection has such a brilliant title that I felt an instant desire to read through it. I have enjoyed all of the books by ChiZine that I have yet encountered, so it was hard for me to wait to read this volume.

Once again ChiZine impressed me. Imaginarium 2012 was a brilliant collection of diverse sources borrowing from various speculative genres and bending genre roles to read between the boundaries. The vast scope of the volume provides a great introduction for new readers of Canadian Spec Fic and tingles the tastebuds of experienced Can Spec Fic readers. Sandra Katsuri and Halli Villegas pull together materials from diverse publications from the year, allowing readers to see the range of possible sources available.

The collection does draw heavily from Edge and ChiZine publications of the year, which are fantastic, but for those of us who tend to get as much new Canadian SF as possible, it tends to repeat the materials already in one’s collection. I would love to see more materials pulled from diverse, small journals and possibly Canadian works of short fiction that have been published as part of larger American anthologies or other international anthologies which the reader may not be able to access unless she or he purchases the entire volume. These international anthologies are often fantastic, but Canadian authors often get lost in the mix and sometimes have a habit of not identifying themselves as Canadian.

I was impressed that this volume was not solely focused on short stories, but rather contained a mix of prose and poetry, allowing readers to see the rich diversity of verse that is available for the speculative genres.

One of the things I most enjoyed about this volume was the list of honourable mentions, which was a great introduction or ‘recommended reading list’ of current brilliant works of Canadian Spec Fic.

Steven Erikson’s introduction to the volume provides a great opening to a volume on the speculative, reminding readers of the importance of looking beyond the ordinary to the extraordinary and envisioning new worlds and new potentials.

In particular, I really enjoyed his critique of fictions about “mundane reality” and the assertion that there is something more exciting about SF. He counters the assertions of people who are enmeshed in the belief that realist fiction is the only reasonable fiction to enjoy and that any SF is ‘escapist’ and ‘made for children’. Any readers of SF would know that the vast majority of it is made for adult readership and the complexity of the issues involved evoke serious subject matter.

My one criticism of this essay, and this should in no way suggest that it is not a worthwhile essay, is that it presents itself as groundbreaking and new territory. There is a suggestion in this essay that it is one of the first to look at SF as a serious area for discourse, and this is particularly pronounced by the claim on the cover of the volume that one should expect a “provocative introduction”. However, since the inception of research on science fiction, fantasy, and horror, this has been an assertion put forward by scholars. The vast scholarship on the topic alone suggests that it is considered worthy of discourse, and most scholars of the fantastic have suggested that Spec Fic is perhaps a harder area for authors to create. I have suggested this in conference papers for years now, and this is a primary motivation in my research on disability in Spec Fic and my assertion that the depiction of people (or others such as aliens, werewolves, cyborgs, mutants, etc.) with disabilities  in fantastic literature is oftentimes more potent than the depiction of disabled subjects in realist fiction. Realist fiction on disabilities often serves as a form of manual for non-disabled people on the subject of understanding disabilities. Speculative fiction about disabilities often allows people with disabilities to see themselves in a narrative without the need for the associated realist written report on the disability. As a person with disabilities, I have found that SF is one of the few areas where I can find characters with disabilities that I identify with and am interested in.

Having said that Erikson’s essay is not presenting totally new material, the virtue of this essay is that it is written for a more open audience and not limited to scholarly discourse, and it also provides readers of SF with the language to be able to defend their reading choices when confronted with what I would call the unwavering realist headspace (that realist headspace that suggests that realism is the only true literature and everything else is lesser and the accompanying inability to look beyond this perspective).

Moreover, the issue of SF’s ghettoisation still exists. There is still a focus on realism by most literati as the only capital L Literature, and this is certainly true with Can Lit, which tends to posit realism and the realistic depiction of lives in Canada as the only true Canadian Literature unless the speculative subject is written by an author who already has been accepted in the cannon and who is ‘slumming in the SF’ to raise it to a perceived ‘literary standard’.

I have received a few comments by email from readers of Speculating Canada that I should look into this volume and many of them critiqued the lack of discussion about a distinctly Canadian focus for the essay, particularly since it was opening a volume titled Imaginarium 2012: The Best Canadian Speculative Writing. I also would have liked to have seen more discussion of the regional aspect of this Spec Fic since this regional or locative dimension is often ignored (sometimes under the claim that not referring to the Canadian element makes it an ‘international’ genre), but I also understand the constraints for space that go with writing an introduction and I hope that in the future scholars and fans may write their own analyses of the Canadian and regional aspect of this collection and what the speculative fiction in Imaginarium 2012 suggests about Canada and Canadian speculations on the nature of reality (or the imagination).

This incredible work reminds the reader of the caliber of ChiZine’s publications and the great fiction that they are known for compiling. Katsuri and Villegas demonstrate their ability to tackle the energy-intensive collecting and organising skills needed to pull a volume of this incredible scope together. Their breadth of knowledge on the subject of Canadian Speculative Fiction is clear from their ability to mine diverse sources and pull together some really incredible works.

Here is a hope for a future Imaginarium collection and I can’t wait to read it!

To find out more about Imaginarium 2012: The Best Canadian Speculative Writing, explore ChiZine’s website at http://chizinepub.com/ . You can explore the works contained in Imaginarium 2012 and purchase a copy at http://chizinepub.com/books/imaginarium/imaginarium_2012.php . This is a great way to start your collection or to expand your existing collection.