Northguard Resurrected

A review of Anthony Falcone and Ron Salas’ Northguard #1 (Chapterhouse Comics, 2016)
By Derek Newman-Stille

I was a huge fan of Mark Shainblum’s and Gabriel Morrissette’s Northguard comics, even though I discovered them long after they had stopped being published. I had a fascination with the idea of the conflicted superhero, Philip Wise, whose love of comics allowed him to change military technology into a superhero identity, dressing himself in the Canadian flag and taking on the image of the superhero to try to do some good in the world. Like Canadians ourselves, Wise was uncertain about his identity and constantly reassessing what it meant to wear the Canadian flag and how this related to his identity. He was a superhero who was defined by intersections, defined by his own desire to constantly question what he thought he knew and any easy answers that were provided for him. 

I was incredibly excited to find out that Chapterhouse Comics had decided to bring back Northguard, but was hopeful that Shainblum and Morisette would be writing the comic. I had worried that others wouldn’t be able to capture the character’s uncertainty, his conflicted nature, and his naive innocence. I finally decided to give Anthony Falcone and Ron Salas’ run of the comic a chance. Their Northguard is an older, more seasoned superhero, lacking the innocence and naivity of the younger Philip Wise. This is a Northguard who has already proven himself and made a name for himself amongst officials at PACT. 

Like Shainblum and Morissette’s Northguard, the Chapterhouse Northguard quickly becomes enwrapped in conspiracies and in conflicts between Canada and organizations in the United States who believe they have a place in determining Canada’s future. My hope is that we can see some of Philip Wise’s personality coming through this Northguard – some of his uncertainty and questioning of the world around him, and his interrogation of the notion of Canadian identity, particularly from his perspective as a Jewish Canadian who has experienced discrimination before. I look forward to seeing some depth develop for Northguard, some conflict. 

It was exciting to see that Gabriel Morrissette had written a mini-comic as part of this issue of Northguard featuring the character in his 80s garb, and allowing a bit of retro playfulness come through this character. Morrissette’s flashback gives us some insight into Philip Wise’s time between the early run of the comic and the Chapterhouse revisions of the character.

To discover more about Chapterhouse comics, visit https://www.chapterhouse.ca

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Golden Age Girls of Canadian Comics

A review of Kalman Andrasofszky and Blake Northcott’s Agents of PACT # 1 (Chapterhouse, 2017)
By Derek Newman-Stille

Many of the new Chapterhouse comics seem to be focussed on the narratives of men, so it is exciting to see that Agents of PACT is focussed on women. As a fan of the original Northguard comics by Mark Shainblum, I was extremely excited to see that Agents of PACT # 1 opened with the Northguard character Fleur de Lys. This flash from the past set the tone for the comic as one that is bringing back a golden age of Canadian comics, exploring figures from Canadian comic history and newly revised versions of these characters. 

Agents of PACT #1 interweaves narratives from Chapterhouse’s new Captain Canuck narrative with figures like Fleur de Lys, bringing in new narratives with characters that speak to a history of Canadian comics. Chapterhouse portrays a world on the edge of transition and change, with new powers arising in different people, organizations fighting over political power and the ability to shape the future, and the intrusions of further paranormal activity. 

This is also a comic about what it means to be a superhero, a question that is poignant for the Canadian comic book fan since frequently comic book historians like John Bell have suggested that Canadians are uncomfortable with the idea of the superhero, particularly given the superhero’s highly individualistic and self-aggrandizing nature. Marla is a character who has developed abilities to control liquid gold, but doing so causes her physical and emotional pain, and she is still trying to figure out what it means to be a superhero and if she, herself, counts as a superhero. Andrasofszky and Northcott draw on aspects of Mark Shainblum’s Northguard in producing a superhero who is self-critical and self-questioning, a character who invites questions about what it means to be a superhero. 

To find out more about Agents of PACT, visit https://www.chapterhouse.ca/collections/agents-of-p-a-c-t