Steampunk MulticulturalismA review of Holly Schofield’s “The East Wing in Carall Street” in Clockwork Canada; Steampunk Fiction Edited by Dominik Parisien (Exile Editions, 2016).

Canada’s late 1800s were an era of exploitation of Chinese-Canadian workers. With head-taxes on immigrants from China and the exploitation of Chinese labourers for widescale production, Canadian interactions with their Chinese-originating populations in the 1800s was fraught with oppression. In particular, during the period of technological nationalism, when Canada sought to use technological innovations like the railway to bring Canadians together over a vast geography, Chinese labourers were exploited for construction and a large number of Chinese-Canadians died in the building of the Canadian Pacific Railway. In Canada’s attempt to bring people together, the country reified who it thought could belong and be called “Canadian” by constructing certain populations (such as the Chinese-Canadian population) as disposable and therefore as non-Canadian. 

It is therefore extremely exciting to see a steampunk narrative that explores the experience of Chinese Canadians. In Holly Schofield’s “East Wind in Carrall Street”, the complicated link between Chinese-Canadian interactions with non-Chinese Canadians and the notion of technology are explored. Schofield explores a friendship between Wong Shin, the son of a man who runs a grocery store, and Margie, an aspiring astronomer who lives in a Vancouver prostitution house with her family. Shin and Margie’s families both disapprove of their friendship, each considering the other to be from an abhorrent family. Each family expresses disgust for the other even on the basis of the foods that they eat. Yet, Shin and Margie are able to get rid of some of their familial discrimination to forge a friendship that both find useful and supportive, educating each other and providing emotional support for each other. 

Shin’s father begins to delve into self hatred because of the trick he is pulling on the Chinese-Canadian community of Victoria because he has claimed that he has created a fully automated clockwork lion to dance blessings in front of a store that is about to open. But, he is unable to create a fully automated clockwork lion, therefore having to ask Wong to get inside of the automation and run it through a series of levers. Shin bears the full brunt of his father’s self-loathing. However, through his friendship with Margie, Shin is able to look for opportunities for collaboration and unity that offer possibilities that cultural separation doesn’t. 

Schofield explores the complicated history of Chinese-Canadian and non-Chinese Canadian interactions in “East Wind in Carrall Street”, acknowledging both the Canadian history of racism and simultaneously suggesting the power that cultural collaboration holds.

To discover more about the work of Holly Schofield, visit her site at https://hollyschofield.wordpress.com

To find out more about Clockwork Canada, visit Exile’s website at http://www.exileeditions.com/singleorders2016/clockwork.html

And Dominik Parisien’s website at https://dominikparisien.wordpress.com/clockwork-canada-anthology