A review of Chadwick Ginther’s Too Far Gone (Ravenstone, 2015)
By Derek Newman-Stille
Too Far Gone, the final book in the Thunder Road Trilogy by Chadwick Ginther brings together the threads of transformation that have been woven throughout the trilogy. Ted Callan, body tattooed by Dwarves and inheriting the powers of several Norse gods, has straddled the border between myth and superhero throughout the series, playing with the border between ancient myth and modern. Ted begins to embody another aspect of the superhero tradition – a conflict between his superhero identity and his civilian identity. Ted returns home to Alberta and has to cope with the clash of his past and present, his civilian and superhero selves coming into conflict as Ted temporarily buries his power under the performance of human normativity. Even Ted’s tattoos are transformed from Norse symbols to generic tattoos, allowing his appearance to change while his identity does. This may not be a superhero unmasking, but rather is a superhero unmaking, a suppression of difference under the guise of normalcy and mundanity.
Too Far Gone is a text of change involving the clash of past and present and disparate identities. It is a transformative text and this transformative background is not only illustrated through Ted’s changes but through the changes he evokes in others as he realises that his behaviours have consequences for everyone around him. The topic of change is played out through Ted’s engagement with his identities, but it is further complicated by the presence of Loki in the text and Loki’s trickster quality. Loki is fluid, changeable, able to fluctuate through identities and interested in playing multiple parts. Loki can fluctuate in gender, appearance, and personality over time. S/he is mostly identified through his/her smile, a feature that instantly identifies the Trickster quality of the god/dess. Loki also represents the conflict of time periods, both an ancient Norse god from the time before Ragnarok and a potential future for a new way of looking at the world. Loki becomes an embodiment of the uncertain, the changeable, and the chaotic, simultaneously Ted’s greatest ally and greatest threat, and this uncertainty and vulnerability only increases the stakes Ted invests in his friend.
Ted is pulled between nostalgia and the desire for change, with past and present conflicting. Being back in Alberta, where he first encountered the monstrous Surtur who was responsible for his introduction into the world of Norse magic, Ted is forced to explore ideas of closure while also facing consistent reminders that he has changed so much that the things that were familiar, comfortable, and normal for him can no longer exist. He recognizes that the familiar, easy idea of home that serves as a comfort to others only reminds him of all that he has lost and how much he has changed from the type of person who could have a home or normal life. This return to Surtur and final conflict is one with the power to change the face of the world and nothing is certain any longer in this world of collisions between past, present, and future. Myth and real life collide to remake ideas of what is normal, comfortable, and taken-for-granted.
To discover more about Too Far Gone, visit Ravenstone’s website at http://www.ravenstonebooks.com/spec-fic/too-far-gone.html
To find out more about Chadwick Ginther, visit his website at http://chadwickginther.com