A review of Katie Shanahan and Steven Shanahan’s Silly Kingdom: A New Steed Indeed (www.sillykingdom.com , 2105)
People frequently portray unicorns as majestic, gentle, caring creatures… but not the Shanahans. In their comic Silly Kingdom: A New Steed Indeed, The Prince becomes obsessed with the fact that a neighbouring prince, Peatrid, manages to have a pet unicorn where The Prince only has the traditional steed of his kingdom… the llama. Obsessed with beating his rival, The Prince heads out with Markus The Kingdom Jester in search of a rare Nocturnal Black Unicorn.
He quickly discovers that his prey is far less gentle than he had assumed… and far more of a trickster herself. In a set of Wiley Coyote and the Roadrunner-like attempts to catch the unicorn, The Prince and Markus end up realizing that the unicorn they are searching for has a wicked sense of humour and a lot of attitude.
Like their first Silly Kingdom comic, Katie and Steven Shanahan combine the magical with the hilarious, bringing the reader on a ridiculous adventure into a world of mishaps and magic. In this second comic, the Shanahans focus even more on the visual than they had in their first comic, stepping away from the conversion from radio play to graphic medium and instead getting into the storytelling power of images. They allow the images on the page to tell their own stories, relying on the power of expressive faces to reveal their own internal narrative and set the tone for dialogue that is used.
A review of Kenneth Oppel’s Such Wicked Intent: The Apprenticeship of Victor Frankenstein Book 2 (Harper Collins, 2012)
By Derek Newman-Stille
Kenneth Oppel’s Such Wicked Intent takes the Frankenstein story into a darker space where alchemy and trips to the underworld shape Victor Frankenstein’s quest for knowledge. Oppel imagines Victor Frankenstein not just as a scientist, but as a man who craves any kind of knowledge and power.
In Oppel’s first Apprenticeship of Frankenstein book, This Dark Endeavour, Victor begins meddling with alchemical knowledge as a way to construct a cure for his twin brother, Konrad’s illness but eventually discovers that alchemy is substanceless and ultimately ineffective. Now that Konrad is dead, Victor again goes searching through ancient tomes, believing that he has the knowledge and power to change his brother’s death. He is fuelled by grief, but also by his own belief that he has…
A review of Katie Shanahan and Steven Shanahan’s Silly Kingdom: Alengrimrickshaw’s 211th Birthday (www.sillykingdom.com, 2011)
By Derek Newman-Stille
I just got back from the Toronto Comic Arts Festival (TCAF) and one of the first things that caught my attention was a short comic by Katie and Sreven Shanahan called Silly Kingdom.
As adorable as it is hilarious, Silly Kingdom: Alengrimrickshaw’s 211th Birthday is a tale of the magical in the mundane. It is a story of magical mishaps and jealousy by a 211 year old wizard who is jealous of a jester who performs magic tricks as part of his act. Katie and Steven Shanahan’s playfulness suffuses every page of this short comic involving an overly optimistic princess and a prince who enters far too easily into existential crises. This is a cute, fast paced, and exciting comic that brings humour and the fantastic together.
Silly Kingdom: Alengrimrickshaw’s 211th Birthday was originally a radio play that was adapted into graphic form, providing a fascinating view on the process of converting a tale from one format to another. One would think this would create a text-heavy comic, but the Shanahans have been able to adapt the story effectively to graphic novel pacing. The story is as much told by the hyper-expressive facial features and exuberance of movement by the characters as it is by the dialogue.
A review of Cait Gordon’s A Night at The Rabbit Hole in Alice Unbound: Beyond Wonderland edited by Colleen Anderson (Exile, 2018)
By Derek Newman-Stille
Alice in Wonderland is a story that plays with identity, disrupting the power that normativity has on our society. Cait Gordon has tapped into that power that Wonderland has to resist normativity and creates a GenderQueer Alice who has just come out and taken on their new name and pronouns. It is refreshing to read a story featuring a GenderQueer character that is not about the struggles of occupying their identity. In A Night at The Rabbit Hole, Alice is instantly accepted for their gender and people don’t slip up and refer to them as anything other than “them” after one quick correction.
Gordon uses the Alice in Wonderland text for its power to disrupt power structures that erase identity possibilities and instead writes a story filled with potential and possibility.
A Night at the Rabbit Hole is a tale about a meeting in a dance club where Alice is given a pill that transforms their perspective and gives them an expanded view of the world around them, allowing them to see through human disguises to the creatures beneath. Gordon plays with the question of what could alter someone’s perspective like the “drink me” potion and mushroom that Alice takes in Carroll’s story and ultimately comes up with the connection to club drugs. After Alice took their pill (here called a “tart”), I have to admit that the Jefferson Airplane song White Rabbit was running through my head as Alice’s perspectives were warped, and I think that Gordon intended to plant this trippy tune in the minds of her readers.
Cait Gordon’s characteristic playfulness comes through in this tale of altered reality and questioned norms and she invites readers to chuckle at clever witticisms at the same time as they speculate about possibilities beyond the simple world that they live in. This is a story that empowers at the same time as it entertains