Infected by Repression

A review of Colleen Anderson’s “Sins of the Father” in OnSpec #105, vol 28, No. 2
By Derek Newman-Stille

Colleen Anderson’s deeply psychological tale “Sins of the Father” brings attention to the long term repercussions of violence, not only on the victims of violence, but on the family of the person who is perpetrating violence. Anderson’s narrator is the daughter of a murderer who was hiding his murderous behaviour from his family. He was able to perform the image of the loving father, not allowing his mask to slip in front of his wife and daughter until he was finally convicted. 

Anderson’s narrator bares the wounds of her father’s actions in her nightmares, guilt and shame, trying to purge his dark legacy by doing as much good as she can, taking work in the hospital to try to make the world a better place.

Anderson explores the idea of violence, of predatory behaviour as an infection, a black mould that creeps and crawls through human monsters, a fungus that taints people beneath their human faces. Her monsters are not otherworldly, but, rather the human predators, the monsters that conceal themselves in their humanity. Her narrator can still feel her father’s blight infecting her soul, but she uses this tinge of darkness to find the criminals in her world, to feed their own crimes back at them, letting them experience what their victims experienced. 

Anderson examines the horrors that come from an absence of empathy and ideas of repression, imagining a literal fungus germinating in those who victimize others, letting them become prey to monstrosities that grow within them.

To find out more about OnSpec, visit https://onspecmag.wordpress.com/current-issue/

To discover more about Colleen Anderson’s work, visit https://colleenanderson.wordpress.com 

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Why should we put aside our childish things? They were our first teachers 

A review of Playground of Lost Toys edited by Ursula Pflug and Colleen Anderson (Exile, 2015)
By Derek Newman-Stille

  

Playground of Lost Toys leads us up those creaking attic stairs to a toy trunk of abandoned memories, lost experiences, and secrets shared in a language we only knew how to speak when we were children. It is an anthology about re-visitings, reimaginings, and explorations into those forgotten worlds that we created so easily when we were young. 

The authors in this collection play with our senses, but, most significantly, with our sense of nostalgia, reminding us of the things we set aside to call ourselves adults and that these objects, these playthings, still have power. Play is the best way to learn and the toys that we have abandoned were some of our first teachers, mentors on the secret pathways to imagination.

Playground of Lost Toys uses these early muses, our toys, to inspire new stories, examine new ideas, and question ideas of memory, play, and identity.

To discover more about Playground of Lost Toys, visit Exile’s website at http://exileeditions.com/singleorders2015/plt.html