Flipped Worlds

Flipped Worlds

A review of “Flip” (Markosia, Enterprises, 2018) edited by Jack Briglio and featuring work by Derek Kunsken, Wendy Muldon, Eleonora Dalla Rosa, Miguel Jorge, Hugh Rockwood, Alberto Massetti, Marcello Bondi, Francesco Della Santa, and Salvador’s Coppola.

By Derek Newman-Stille

The comic “Flip” offers a series of flashes through different worlds filled with different possibilities, inviting readers to turn the world on its head and look at it differently. Like most Speculative Fiction, even when it is set on a different world, in a different reality, or in the future, it is really about our own world and the things that occupy our imagination, thoughts, and perspectives. “Flip” invites readers to delve into those imaginings, to ask critical questions, and imagine what is not in order to think anew about what is.

The stories in “Flip” bring the reader into worlds where credit card debt is paid back with death, inviting us to think about credit card companies as loan sharks; worlds where people are forced to divorce after only 7 years of marriage, evoking questions about matrimony; worlds where luchadors meld their bodies into those of gorillas to fight, inviting questions of animal violence, human fear, and corporate control; worlds where pensions are saved for the young and people work later in life, inviting questions about age and ageing. There are tales of people meeting between flipped worlds and of choices made and the impact of choices that weren’t made. It is a comic about possibility and change. 

“Flip” is a collection of stories that are meant to unsettle, to disrupt, to FLIP reality and let us see it from another angle. 

Can Con Updates!

Can Con is coming up soon in Ottawa on October 4-6th (and you can find out more about it at http://www.can-con.org/ ). The diversity of activities this year is absolutely amazing with sessions on writing, academic analyses of literature and literary themes, author readings, book launches…. and even a few singing events (seriously!).Canada Day

Prepare for discussions of AI, comics, enhancing creativity, fandom, astronomy, disease, zombies, future technologies, possession, poetry, humour, horror, law, LGBTQ issues, multiculturalism, mystery, publishing, popular music, gender, genre, and YA fiction among many others.

As many of you who follow my blog will note, there are a few special areas of interest of mine in Canadian Speculative Fiction: portrayals of characters and themes of LGBTQ or Queer people, and discourse about disability featuring highly among them. I am particularly excited that I get a chance to talk about both of them at Can Con this year and I hope to see many of you at these panels. Here are the panel descriptions:

Cripping the Light Fantastic: Disability in Canadian Speculative Fiction

How many spaceships are wheelchair accessible? Do office buildings create light shielding for the undead who might be singed by solar exposure? Can my guide dog be a werewolf? Does one need to simply WALK into Mordor… or can one wheel in instead? SF has an interest in the body, whether it is the augmented body of sci fi, the body horror of the gothic, or the magically altered body of fantasy, and it is worth looking at the way disabilities are portrayed in Canadian SF.

Panelists: Derek Newman-Stille, Tanya Huff, Douglas Smith, and Dominik Parisien

Let’s get Fantastic: LGBTQ or Queer Speculative Fiction

Speculative Fiction is sexy, but so often TV only shows heteronormative relationships. Canadian SF literature seems to be more willing to portray gay, bisexual, lesbian, transgendered, and queer-oriented characters. Let’s take a look at gay zombies, sex-changing aliens, lesbian superheroes, bisexual wizards, and other potential queerings of the fantastic.

Panelists: Derek Newman-Stille, Tanya Huff, and Liz Strange

You can explore all of the panels at http://www.can-con.org/2013/wp-content/uploads/2013/04/Can-Con-programming-panel-descriptions-2013.pdf

Check out some of your favorite authors like Robert Sawyer, Tanya Huff, Sandra Kasturi, Chadwick Ginther, Jean-Louis Trudel, Brett Savory, Karen Dudley, Hayden Trenholm, Marie Bilodeau, Violette Malan, Dominik Parisien, Derek Kunsken, Matt Moore, Sean Moreland, Liz Strange, Kate Heartfield, Suzanne Church, Lydia Peever, and many more. This is your chance to meet some really brilliant Canadian Speculative Fiction authors, scholars, and fans and have a chance to ask those questions that have been occupying your minds.

I hope to see you there, and please feel free to come up and chat with me about Speculative Fiction. I always enjoy a chance to have a great conversation about this genre that I love,
Derek Newman-Stille

Deep Space Dexter

Review of “Long Leap” by Derek Kunsken. In On Spec Vol. 24, No. 1, Spring 2012.
By Derek Newman-Stille

Derek Kunsken takes on a huge challenge by portraying a character who is utterly without emotions, a sociopathic (though not officially a sociopath) character who is distanced from the human and who murders. He portrays the ultimate monster – the one that can hide in our society and pass as human. Robert IS officially human, but he is so dissociated from the human experience, he should be unrelateable. However, Kunsken creates his character as a futuristic Dexter, a sociopath that is portrayed as somehow possible for the audience to understand if not entirely relate to.

The skill of Kunsken’s craft can be seen in his ability to make Robert understandable to the reader. Despite the offputting, offsetting nature of the sociopath, Kunsken is somehow able to get into his mind and make him human for his audience.

Kunsten sets his sociopath on a small, restricted society – a space ship adrift in the cosmos on its way to a colony world. This society, knowing that it is going to be in transit for years beyond their own lives have decided to almost entirely give up the sciences and become a colony of artists. He suggests that if given a society in which their physical needs are accommodated, almost everyone would opt to become an artist.

Artists are figured in our society as creatures that live in perpetual emotion, and Kunsten reinforces this by having only a handful of people interested in anything other than the arts. Of the few scientists is the only sociopath, cut off from emotional understanding and the humanistic touch that guides the arts. Despite travelling through space, the only one interested in looking up at the sky and becoming an astronomer… is someone who cannot understand humanity.

This colony of artists are pulled off course and end up having to rapidly learn the sciences when dropped into a binary star system where the only planet is made entirely of toxic metals.  The sociopath in the village, dissociated from humanity, is the only one who is able to understand a wider interpretation of life and make calculated risks.

You can explore On Spec’s website at www.onspec.ca.