A review of Catherine MacLeod’s “The Stone Alphabet” in Earth: Giants, Golems, & Gargoyles Edited by Rhonda Parrish (Tyche Books, 2019)
By Derek Newman-Stille
Catherine MacLeod’s “The Stone Alphabet” is a refreshing collection of microfiction stories. Each of the stories is only a few lines of text but shows incredible worldbuilding, character development, and each has a delightful twist ending. MacLeod plays with the senses of the reader, moving us from world to world and story to story, immersing us in little drips of horror instead of a larger pool of story.
Like the rest of the Earth collection, MacLeod’s collection focuses on the multiplicity of the element, illustrating the idea that Earth can be articulated in a variety of ways. She tells stories about characters with an appetite for stones to stories of the underworld, tales of dark cellars that suddenly appear, addictions to beauty mud, statues carved into life, and stories about stoning.
Despite the short length of these tales, MacLeod explores deep and powerful social patterns and ideas. She explores ideas of life and death, oppression and violence, loss and imprisonment, representation of the human body and the implications of creating something so close to the human. MacLeod invites her reader to speculate and imagine new possibilities, using the “weird” to invite readers to question their norms and everything that is taken for granted. Playing with the theme of the earth, she shakes the foundation of the reader’s reality and invites new philosophies and ideologies. The rapid succession of worlds and stories allow for a sense of cognitive dissonance, immediately putting the reader in a reflective, questioning space.