Tag Archives: happily ever after

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Woke Beauty

Woke Beauty

A review of Nicole Lavigne’s “Fairest Find” in “Over the Rainbow: Folk and Fairy Tales From The Margins” (Exile, 2018).

By Derek Newman-Stille

Nicole Lavigne tells a tale of a prince who measured his life by the fairy tales he was  told as children and finds himself confused when he encounters the complexities of life outside of story books. “Fairest Find” is a meta narrative commenting on traditional fairy tales and the problematic ways that they simplify the world.

Lavigne plays with the Sleeping Beauty tale, transforming the passive princess awaiting true love’s kiss into a powerful woman unwilling to let others decide her destiny for her. Lavigne invites readers to question the de-voicing of women in fairy tales, pointing to the need to tell tales that raise questions about consent and choice, tales that critique patriarchy and parental power. “Fairest Find” is about empowered women taking control of the tales that are told about them and instead telling their own tales, rich with their own complexity.

To find out more about Over The Rainbow, go to https://overtherainbowfairytale.wordpress.com and to buy your own copy, go to Exile’s website at https://www.exileeditions.com/shop/over-the-rainbow-folk-and-fairy-tales-from-the-margins/

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No Longer Isolated

No Longer Isolated

A review of Robert Dawson’s “Iron Jenny and the Princess” in Over the Rainbow: Folk and Fairy Tales from the Margins (Exile Editions, 2018)

By Derek Newman-Stille

Fairy tales have a propensity toward a “happily ever after” that results in a heterosexual marriage… yet that excludes a lot of people and suggests that only straight identities can be happy identities. Robert Dawson’s “Iron Jenny and the Princess” presents readers with a princess, Topaz, who has never had a desire to marry and whose mother tells her that she will either wed or be put in jail. Dawson explores the collision of duty and personal desire, of family and freedom examining the systems of controls placed on princesses.

Topaz is a princess who has always been different, always looked at as rough and gruff, yet when she is on her own, she is able to sing and be herself and to express more of herself than she can to others. It is in seeking isolation in her kingdom’s labyrinth that Topaz finally meets someone she can relate to: Iron Jenny, a woman made of iron.

As occurs in many fairy tales, Topaz has to prove herself to be worthy of marrying a prince by completing multiple tasks… and all of these tasks are related to her perceived eventual domestic role. Yet, Dawson writes a character who challenges assumptions about women’s work and about a princess’ role, offering a tale that disrupts heterosexual patriarchal ideas and presents characters with more nuance, complicating the idea of the “happily ever after” and a woman’s role in that traditional fairy tale ending.

To find out more about Over the Rainbow: Folk and Fairy Tales from the Margins, visit http://overtherainbowfairytale.wordpress.com and check out Exile Editions’ website at https://www.exileeditions.com