Tag: Lackington’s

Gossamer Threads of a Tale

A Review of Dominik Parisien’s “Spider Moves the World” in Lackington’s Issue 6 http://lackingtons.com/2015/04/08/spider-moves-the-world-by-dominik-parisien/  By Derek Newman-Stille Like Dominik Parisien’s poetry, his prose story “Spider Moves the World” captures the beauty in the grotesque. Parisien takes the figure of the spider and reveals the beauty of spidery movements, the wonder of being carried on a spider’s back and the essential...

Feeding the Homeless

A review of Trevor Shikaze’s “The Harbour Bears” in Lackington’s issue 4 ( http://lackingtons.com/2014/10/28/the-harbour-bears-by-trevor-shikaze/ ) By Derek Newman-Stille Homeless people are treated as human refuse, ignored when possible, and when not possible, treated as a social problem that requires police intervention and forced removal. Homeless people evoke a sense of horror partially because they remind society that the price for...

Asymmetrical

A review of Kate Heartfield’s “Bonsaiships of Venus” in Lackington’s issue 4 ( http://lackingtons.com/2014/10/28/bonsaiships-of-venus-by-kate-heartfield/ ) By Derek Newman-Stille When most envision the space-faring future, they tend to picture sleek space ships that are ideal forms of symmetry. This is why it is so refreshing to see Kate Heartfield’s notion of bonsaiships, space vehicles that are trimmed like bonsai trees over...

Home is a Place Created in Tales

A review of Amal El-Mohtar’s Mon pays c’est l’hiver (Lackington’s issue one, Winter, 2014 http://lackingtons.com/2014/02/13/mon-pays-cest-lhiver/ ) By Derek Newman-Stille We pretend that home is an easy concept, something that comes easily, but Amal El-Mohtar’s Mon pays c’est l’hiver poetically charts the challenge of home. We hold on to memories of a wintery, beautiful landscape. But our sense of place always...

What Lay Beneath Modernity?

A Review of Kate Heartfield’s Their Dead So Near, Lackington’s issue one, Winter, 2014 (http://lackingtons.com/2014/02/13/their-dead-so-near-by-kate-heartfield/) By Derek Newman-Stille We are distant from our dead. In urban centres, we build over the dead, erasing the history of what came before us in our construction of the new. Kate Heartfield’s Their Dead So Near takes us into Ottawa’s Macdonald Gardens, called by...