A review of Kate Story’s “Animate” in Cli Fi: Canadian Tales of Climate Change (Exile, 2017)
By Derek Newman-Stille
People and our landscapes are in a complicated relationship with each other, altering one another through our interactions. Our landscapes shape us as much as we shape them. In “Animate”, Kate Story explores a toxic landscape, yet one that is also full of mystery. Story sets her tale in Newfoundland’s Tableland, a strange red-orange scar in an otherwise green and verdant landscape where the rocks are magnetic and their toxicity prevents plant growth. Yet it exerts a pull on the bodies of her characters, literally pulling on their facial features
Story examines the strangeness of Newfoundland – its ability to represent so many unique geological features in one island and the potential of the landscape to imprint itself on our memories and our bodies. She explores the possibility of a psycho-geographic effect, a strange link between people and the landscapes that they occupy, each reflecting each other. Story examines the complexity of ideas of home by exploring a space other than the house, but rather the way that a larger environment imprints on us. We often think about our landscapes in terms of human change, but rarely examine the way that we are, in turn, shaped by our spaces of home, the landscapes that we occupy.