A Spectacle of Beauty and Estrangement

A Spectacle of Beauty and EstrangementA review of Marie Bilodeau’s Nigh Book 3 (S &G Publishing, 2015)

The third book of Nigh by Marie Bilodeau brings the reader into the realm of fairy itself, a land hostile to human life but simultaneously an object of desire. Bilodeau’s fairy realm is a land that is changeable between one moment to the next from a space of growth to a landscape of decay. It is a realm of uncertainty and this poses a problem for Al, a mechanic who always wants to know how things work and wants to take things apart and figure out the mechanisms for them to run. The fairy realm resists the very notion of being understood. It resists logic and the more Al probes into the world, the more she is met with confusion and disorientation.

Bilodeau, always an author who plays with the complexity and power of stories to shape human lives, explains the history of telling fairy tales as a way for human beings to prepare later generations for the experience of entering into the fairy realm. She plays with the notion of speculation as a way of understanding another reality and suggests that story-telling has historically been a survival mechanism for human contact with other realms. In this way, Marie Bilodeau invites us to question the way story-telling tells us about our own world, about ourselves, and about the way we understand our relationship to the world. Nigh Book 3 plays with the landscape in a unique way, experimenting with a question that Northrop Frye suggests much of Canadian literature deals with: “Where is here?” The fairy realm represents a space entirely defined by uncertainty. The uncertainty of the fairy landscape is not divorced from human responsibility. We are partially responsible for that shifted, changed, hostile landscape where the fairies have dwelled. We are told by the fairies that human actions have fragmented the fairy world and that damage and changes to our environment have meant that the fairy worlds (parallel to our own) have been torn apart, families ripped asunder. The altering of our world has similarly altered and changed the realm that has become harmful to us. 

In this third book of Nigh, Bilodeau gives context to the fairies, greying their morality instead of presenting them as entirely ‘evil’. The fairypocalypse is made more complex by adding the complexities of fairy voices to the experience, giving them the opportunity to explain their position and challenge that view of them as entirely other to human experienc eand hostile to human existence. 

The human presence in the fairy landscape is marked by loss, by a change so hostile to humanity that the human beings themselves begin to slip away, losing elements of their identity. While in the fairy world, characters experience the infiltration into their bodies of difference, strangeness, and, in some cases, the loss of memory and selfhood. Bilodeau’s characters are need to question their identity, their memories, and the things that make them who they are as they submerge into a strange, foriegn, and hostile land. In Nigh book 3 Marie Bilodeau examines our complex relationship to our landscapes and the way that our environment changes and alters us.

To find out more about Marie Bilodeau’s work, visit her website at http://mariebilodeau.blogspot.com

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Sands of Time and Landscapes of Memory

Nigh-book-2-completed

Cover image of Nigh Book One, Courtesy of the author

A Review of Marie Bilodeau’s Nigh Book Two (S&G Publishing, 2014)
By Derek Newman-Stille

Memory, made of time and place and story, shapes Marie Bilodeau’s Nigh Book 2, a tale about the return of the faeries and the collision of human and faerie cultures. Like the first book of Nigh, this book explores the power of the slippery landscape, changing and shifting with the will of the faeries, but the fluidity of the landscape evokes a need in her characters to hold on to their identities, to hold more tightly to family, memory and what makes their lives meaningful and resist the changes that they are plunged into.

Humanity has been displaced by the intrusion of faerie into our world, but so have the faeries who have ventures from their kingdom of centuries into the human world that had cast them out and changed over time. Nigh Book 2 mixes ideas of place and belonging with a sense of uncertainty.

The faerie world runs on a different time than our own, and this mix of two times and two landscapes allows Bilodeau to explore the relationship between memory and times, places, connections, and the stories that shape our identities. The intrusion of faeries into the human world is accompanied by their intrusion into human minds and bodies – their exertion of control over humanity through their melodic voices and powerful gaze – but the allure of faeries pulling humanity in also offers an escape from memory, from guilts of the past. This second book of Nigh offers the chance for readers to look at how memory is connected to our needs, fears, anxieties, desires, and that it too is changeable like the fairy world. Bilodeau disrupts the idea that memory can be preserved and that by holding on to our memories we can resist change because encounters with faeries are always encounters with instability and fluidity.

To discover more about Marie Bilodeau and the books of Nigh, visit http://mariebilodeau.blogspot.ca/p/nigh.html

To listen to an interview I conducted with Marie Bilodeau about Nigh, visit https://speculatingcanada.ca/2015/03/28/speculating-canada-on-trent-radio-episode-31-an-interview-with-marie-bilodeau-about-nigh/

To read my review of Nigh Book One, visit https://speculatingcanada.ca/2015/03/08/not-tinkerbell-welcome-to-the-fairypocalypse/

Cover Images of The Books of Nigh, courtesy of Marie Bilodeau

Cover Images of The Books of Nigh, courtesy of Marie Bilodeau