Tag Archives: Jamieson Wolf

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Nothing As It Seems

A review of Jamieson Wolf’s Beyond the Stone (Renaissance, 2021)

By Derek Newman-stille

Nothing is as it seems in Jamieson Wolf’s Beyond the Stone. This is an exciting urban fantasy adventure with many twists and turns and a world standing on the precipice of massive and dangerous change. Not only is the world in a state of change, but so is Bane, a man who is socially ostracized because his skin changes into stone, and has developed a rock hard personality to go with it. Bane is on the road to self discovery and change as a result of a new love in his life and his discovery that the world that he knew isn’t what he thought it was.

To find out more about Beyond the Stone, visit https://renaissance-107765.square.site/product/beyond-the-stone/205?cp=true&sa=false&sbp=false&q=false&category_id=2

To discover more about Jamieson Wolf, visit https://jamiesonwolf.com

Reviewed by Derek Newman-Stille (They/Them), MA, PhD ABD.

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No More Magical Cures

No More Magical Cures

A Review of Jamieson Wolf’s “The Descent” in Nothing Without Us edited by Cait Gordon and Talia C. Johnson (Renaissance Press, 2019)

By Derek Newman-Stille

Jamieson Wolf’s “The Descent” explores a trope of disability that is often apparent in fantasy literature – the Magical Cure. Frequently, this trope is used because abled authors can’t imagine the possibility of someone being disabled and still being able to live a happy life, so the author writes away the disability in one pen stroke. The Magical Cure trope isn’t limited to actual magic. It is also used for the instant scientific inventions or the writer has the character conquer their disability with willpower (both incredibly offensive tropes). Wolf takes on this constant representation of the Magical Cure trope by having his narrator  Jefferson deal with magic and his own magical abilities.

Jefferson learns magic to try to gain the ability to get rid of his disability. Instead, he separates his disability into a separate individual, and personifies it under the name Max Shadow. When Jefferson has to descent down a flight of stairs (Jefferson’s real arch nemesis) to an oracle that is supposed to be able to give him the tools to erase his disability, Jefferson ends up not fighting Max Shadow, but instead fights his own internalized ableism that has resulted in his desire for a Magical Cure.

“The Descent” is a powerful story that involves the intersection of disability and queer identity and Wolf is able to weave his story with a bodily experience that is shaped from his own queer, disabled identity. His story is about ideas of desire and desiring, an idea that frequently arises in queer literature, but rarely in Disabled literature, and Wolf is able to examine the critical question of what it means to desire disability – to not just reject it or seek to erase it, but instead to embrace disability.

To find out more about the Magical Cure Trope, check out my Disability Tropes 101 post on Dis(Abled) Embodiment https://disabledembodiment.wordpress.com/2019/10/22/disability-tropes-101-the-magical-cure/

To find out more about Jamieson Wolf, go to https://jamiesonwolf.com

To discover more about Nothing Without Us, visit https://nothingwithoutusanthology.wordpress.com and to buy your own copy, go to Renaissance Press’ website at https://renaissance-107765.square.site/product/nothing-without-us/117?cp=true&sbp=false