Authors in Quarantine – Chadwick Ginther

With this this series, I am hoping to capture how this cultural moment is affecting our speculative fiction authors and how our authors are surviving during the COVID-19 outbreak

Chadwick’s companion in Quarantine – Algernon!!

Spec Can: What have you been up to during the COVID-19 outbreak?

Chadwick Ginther: I’ve been fortunate enough to still be employed at my day job, and have been working from home at what tasks are available to me. I’ve tried to impose some structure on my days, such as not sleeping in, writing before I sign on for work, daily walks and short workouts. I’ve also watched entirely too many terrible horror movies and caught up on a few television shows I’ve been meaning to check out. I’ve also been trying out some new recipes, and doing a bit more baking then normal.

Spec Can: How are you adapting to social distancing?

Chadwick Ginther: There was a lot of anxiety at first. Worry about health and wellbeing, for myself, my wife, our loved ones. Fear about what things will look like on the other side of the pandemic. All that anxiety is still there, but the waves of it don’t seem to be hitting quite as heavily as they were.

It’s been painful not to be able to see friends and family, but both my wife and I tend to be pretty solitary folks, and we really enjoy each other’s company. I call my parents to chat a bit more frequently, and a group of my friends created a text channel for us to share recipes and pictures and updates, and that’s been great for feeling connected.
All of my roleplaying games have moved to online platforms, although many of them were partially, or already there. I’m resisting the urge to join new games because I know I won’t be able to maintain the commitment when things return to a more normal normality.

Not going to a store the moment I think of something I want, or run out of has also meant a bit less snacking. Hopefully I’ll carry a bit of that newfound impulse buy restraint forward when the restrictions are relaxed.

Spec Can: How is the outbreak affecting your writing?

Chadwick Ginther: At first, it was brutal. Nothing was getting done. I struggled to finish even the tasks with existing deadlines, like some editor mandated short story revisions. Motivation to revise the book I had been working on prior to the pandemic was nil. Later, after the first couple of weeks, I managed to write a couple story pitches I’m waiting to hear back about, which seemed to help. Two weeks ago I decided to work on a passion project novel I’ve kept telling myself I’d start writing once this or that task was crossed off the list. I’m pretty happy with that decision, as it’s kept me writing every day, and I’m having so much fun exploring what might end up being the weirdest and most ambitious thing I’ve ever attempted in fiction.


Interviewed by Derek Newman-Stille, MA, PhD ABD

Only Work is Perpetual

A review of Suzanne Church’s “Lost Flesh” in Lazarus Risen (Bundoran, 2016)
By Derek Newman-Stille

The right to die is a complicated issue that brings with it questions of whether people want to die because our society makes it impossible for a disabled person or an aged person to survive comfortably in our society. With the right to die, people in the disabled community have asked “Is it really a right to die when our society provides no ability for disabled people to live within it?”. Suzanne Church takes on the complicated issue of the right to die in “Lost Flesh”, a tale about immortality and the desire by immortal characters to die once their lives become monotonous and unstimulating.

Church brings up an issue that people often ignore in tales of immortality: what does it mean to be immortal in a capitalist society. She explores the idea that every extension of life brings with it a contract for prolonged work, highlighting the issues of ageing in a capitalist society. As characters age endlessly, the only constant in their lives is work and the monotony that comes with perpetual work means that life quickly loses its joie, its vigour, its value. Characters lose their sense of wonder and life begins to feel like an eternity of repetition. 

“Lost Flesh” is a story that explores the horrors of immortality within a capitalist system, where unageing bodies become only vessels of labour, machines of production. Church asks what the right to die means in a society where living means exploitation. 
To discover more about the work of Suzanne Church, visit her website at http://suzannechurch.com/wordpress/
To find out more about Lazarus Risen, visit Bundoran’s website at http://www.bundoranpress.com/product/1/Lazarus-Risen