A review of Suzanne Church’s “Lost Flesh” in Lazarus Risen (Bundoran, 2016)
By Derek Newman-Stille
The right to die is a complicated issue that brings with it questions of whether people want to die because our society makes it impossible for a disabled person or an aged person to survive comfortably in our society. With the right to die, people in the disabled community have asked “Is it really a right to die when our society provides no ability for disabled people to live within it?”. Suzanne Church takes on the complicated issue of the right to die in “Lost Flesh”, a tale about immortality and the desire by immortal characters to die once their lives become monotonous and unstimulating.
Church brings up an issue that people often ignore in tales of immortality: what does it mean to be immortal in a capitalist society. She explores the idea that every extension of life brings with it a contract for prolonged work, highlighting the issues of ageing in a capitalist society. As characters age endlessly, the only constant in their lives is work and the monotony that comes with perpetual work means that life quickly loses its joie, its vigour, its value. Characters lose their sense of wonder and life begins to feel like an eternity of repetition.
“Lost Flesh” is a story that explores the horrors of immortality within a capitalist system, where unageing bodies become only vessels of labour, machines of production. Church asks what the right to die means in a society where living means exploitation.
To discover more about the work of Suzanne Church, visit her website at http://suzannechurch.com/wordpress/
To find out more about Lazarus Risen, visit Bundoran’s website at http://www.bundoranpress.com/product/1/Lazarus-Risen