What is Means to Be An Outsider

A review of Kate Story’s “Am I Not A Proud Outlier” in Sum of Us: Tales of the Bonded and Bound (Laksa Media Group, 2017)
By Derek Newman-Stille

In a hive, dance is crucial. Dance is the way that decisions are made, but dance is also a way of expressing dissent. Kate Story’s “Am I Not A Proud Outlier” is a tale of a space hive with typical bee like characteristics. This hive is moving from planet to planet, and colonizing as they move, but something has gone wrong in the hive. A space that is supposed to be unified has become disrupted and violence has broken out between different factions leaving a Queen without support. This hive has a caste system like most bee hives do, with certain members specialized to fulfill certain roles like building, nursing, and cleaning. But, this hive also has a role that is meant to present alternatives, the Outlier caste, a small group of isolated people who bring up ideas and perspectives that the harmony of the hive hasn’t considered. They are built to be contrarians and to be introverts.

Outlier 31’s role is to resist that sense of security and safety that comes with belonging, to counter the uniformity of the rest of the hive to open up questions about the status quo and challenge unilateral thinking. In Outlier 31, Kate Story creates the quintessential image of the artist. She points out that the role of the artist is to live in a state of intellectual curiosity and uncertainty, always willing to push boundaries into alternatives that others may not think of. She reminds the audience that art has an important role to disrupt easy answers and ask new, more potent questions. But, perhaps more importantly, Story connects art to the act of care-giving, the focus of the “Sum of Us” anthology, pointing out that artists provide an important caring role in their acts of critical questioning. 

Outlier 31 thinks of words that have not been used before, brining the power of language to the task of re-assessing meaning in her hive, she dances histories that the hive prefers to keep secret in their desire to present one unified historical narrative. Outlier 31 is an essential part of a community, but is forever kept separate from it. Yet, things change in times of crisis. Outlier 31 must simultaneously take on care-giving roles (roles that are suited for other members of the hive like the Nurses), changing her fundamental make-up, while still being true to her need to be contrarian. 

To find out more about the work of Kate Story, visit http://www.katestory.com

To discover more about Sum of Us: Tales of the Bonded and Bound, visit http://laksamedia.com/the-sum-of-us-an-anthology-for-a-cause-2

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A Magnetic Environment

A review of Kate Story’s “Animate” in Cli Fi: Canadian Tales of Climate Change (Exile, 2017)
By Derek Newman-Stille

People and our landscapes are in a complicated relationship with each other, altering one another through our interactions. Our landscapes shape us as much as we shape them. In “Animate”, Kate Story explores a toxic landscape, yet one that is also full of mystery. Story sets her tale in Newfoundland’s Tableland, a strange red-orange scar in an otherwise green and verdant landscape where the rocks are magnetic and their toxicity prevents plant growth. Yet it exerts a pull on the bodies of her characters, literally pulling on their facial features

Story examines the strangeness of Newfoundland – its ability to represent so many unique geological features in one island and the potential of the landscape to imprint itself on our memories and our bodies. She explores the possibility of a psycho-geographic effect, a strange link between people and the landscapes that they occupy, each reflecting each other. Story examines the complexity of ideas of home by exploring a space other than the house, but rather the way that a larger environment imprints on us. We often think about our landscapes in terms of human change, but rarely examine the way that we are, in turn, shaped by our spaces of home, the landscapes that we occupy. 

To discover more about the work of Kate Story, visit http://www.katestory.com
To discover more about Exile Editions, visit http://exileeditions.com

Putting Monsters on the Map

A review of Kate Story’s “Equus” in Clockwork Canada: Steampunk Fiction, edited by Dominik Parisien (Exile Editions, 2016)By Derek Newman-Stille


Fairy tale collides with steampunk in Kate Story’s “Equus”, where the past and ideas of futurity collide to create an uncertain present. Story narrates the experiences of Sir Sanford Fleming, an inventor known for proposing standard time zones and for his work on surveying and mapping. He is a historical figure who already brings to the narrative a sense of time and landscape, embodying these symbolic media through his own inventions. For Story, he became the perfect character to adapt to her tale, which is fundamentally one about the way that time plays out on a landscape and the way that maps and standardized time zones seek to standardise and explain a world that resists understanding. 

Story explores the power of the relationship between maps and margins and the idea that the more we try to chart and explore things – the more we attempt to rationalize them – the more the irrational reminds us of its existence. While Sanford Fleming is employing a new machine to survey Canada and establish barriers and territories, he is repeatedly haunted by his own past, the life he led before he came to Canada, and spirits of the world that defy the simple cartography applied to our world. History and ideas of progress come into conflict as characters begin to realise that the spreading of railways and communication technology are binding the land, forever changing it by adding elements of the human to natural landscapes. Fleming is forced to face the question of whether there is a price for progress and whether all change can be defined as progress. 

To discover more about the work of Kate Story, visit her website at http://www.katestory.com
To find out more about Clockwork Canada, visit Exile’s website at http://www.exileeditions.com/singleorders2016/clockwork.html
And Dominik Parisien’s website at https://dominikparisien.wordpress.com/clockwork-canada-anthology

Multiple Faces of Identity

A Review of Kate Story’s “Show and Tell” In Playground of Lost Toys (Exile Editions, 2015)by Derek Newman-Stille

School can be a horror story. It is a space where identity is controlled and regulated and where normalcy and conformity rein. Anyone who doesn’t belong is firmly aware that they are the school’s monster and those who enforce that normalcy treat those who don’t belong monstrously. In “Show and Tell”, Kate Story’s narrator was punished constantly as a child for daydreaming and was treated regularly as a social outsider. She was subjected to gendered expectations for women about “attractiveness”, having her facial features policed and told that certain facial features were unattractive and therefore inappropriate. 

When Story’s narrator has to return to her school as an adult before the building is demolished, she collides with her own identity and the multiplicity of options her life could have taken. She finds her old school cubby hole still intact with her old Saucy Doll shoved away at the back of the cubby. The doll has the capacity to shift through different expressions as her arm is pumped and as the narrator takes the doll through the different facial features, she sees a world of different possibilities, underlying the different masks that people wear at different times of their lives. The Saucy Doll underscores the idea of roads not taken, possibilities missed, and opportunities taken differently by the narrator – the different worlds that she could have inhabited if she had made different choices. 

Story’s use of the multi-faced Saucy doll underscores the social perception of childhood as a time of multiple potentials, a world open to possibilities and choices and the idea of adulthood as an experience of choices already taken and options limited. “Show and Tell” is a narrative about memory and the discovery of different aspects of selfhood. In the multiple faces of the doll, we can see the multiple masks that we, ourselves, wear throughout our lives, shifting expressions to express different aspects of ourselves. 

Story plays with the notion of the uncanny valley, the idea that as something approaches looking human it looks cute until it gets too close to human appearance and then it causes discomfort. In this case, the Saucy Doll embodies ideas of attractiveness and prescriptive femininity, attempting to shape the way that women are allowed to BE in this world. The Saucy Doll and its presence in the school embodies ideas of memory, trauma, and the passage of time. The narrator finds herself mimicking the expressions of her doll, shaped by her doll, illustrating the way that dolls shape the identities of young girls and the expectations about how they are able to present themselves in the world. Dolls are normally things that mirror us as we project on them, instead she is mirroring her doll and being projected upon by the doll. 

To find out more about the work of Kate Story, visit her website at http://www.katestory.com

To discover more about Playground of Lost Toys visit Exile’s website at http://www.theexilewriters.com 

Speculating Canada on Trent Radio Episode 37: Fairy Tales in Canada

Canada is often viewed as too young of a country to have fairy tales, but in this episode, we explore the Newfoundland Fairy Tale tradition as well as some recent re-writings of fairy tale narratives to explore new themes and ideas. These narratives are explored for their ability to shift and change over time to explore new ideas, new geographies, and new types of characters.

You can listen to this episode of Speculating Canada on Trent Radio at the link below.

Explore Trent Radio at www.trentradio.ca

Explore Trent Radio at http://www.trentradio.ca

This audio file was originally broadcast on Trent Radio, and I would like to thank Trent Radio for their continued support. I would also like to thank Dwayne Collins for his consistent tech support and help with the intricacies of creating audio files.

Make sure to allow a few minutes for the file to buffer since it may take a moment before it begins to play.

Speculating Canada on Trent Radio Episode 30: A Discussion About Performing Speculative Fiction with Kate Story

In this episode of Speculating Canada on Trent Radio, Kate Story joins us back in the studio to talk about the other part of her multifaceted spec fic persona – her role as a performer. Kate talks about the experience of being both a writer of novels and a theatrical performer and how the two can connect and interweave with one another. In this show, we are able to get a behind the scenes view of a few of Kate’s performances and hear about how she has been able to adapt her own speculative fiction for the stage.

Kate demonstrates her love of Shakespeare in her theatrical piece “Romeo and Juliet: Superstar Ice Miners of Europa!!” a science fictional take on Romeo and Juliet by Shakespeare. Kate talks about Shakespeare and how apt Shakespeare’s works are for speculative re-imaginings, her ability as a writer to adapt the gender expectations about Shakespeare, and about how a good text is flexible and can be creatively adapted.

You can listen to this episode of Speculating Canada on Trent Radio at the link below

Explore Trent Radio at www.trentradio.ca

Explore Trent Radio at http://www.trentradio.ca

This audio file was originally broadcast on Trent Radio, and I would like to thank Trent Radio for their continued support. I would also like to thank Dwayne Collins for his consistent tech support and help with the intricacies of creating audio files.

Make sure to allow a few minutes for the file to buffer since it may take a moment before it begins to play.

 

Speculating Canada on Trent Radio Episode 15: An Author Reading With Kate Story and Suzanne Church

Magic Dwelling on the Edges: An Author Reading by Kate Story and Suzanne Church
Hosted by Derek Newman-Stille

Tune in to “Magic Dwelling on the Edges: An Author Reading by Kate Story and Suzanne Church” broadcast on Trent Radio and preserved here as an audio file.

Edges are interesting places. They define boundaries and barriers. They occupy the fringes, those unventured places that stretch our ideas of the familiar. They are places of adventure, mystery, and secrets to be discovered… but they are also places of abjection, rejection, places that we ignore and pretend don’t exist.

Fascinating things happen at those tucked away little corners, those shadowy hidden places.

Kate Story and Suzanne Church write from and about those places, people, and ideas on the edge. They cast searchlights into the murky areas that we have made murky because we want the comfort of being away from the edge, at the centre of things. They seek what we deny. Perhaps this is why their fiction often encompasses the queer, the fringe, the abject, the marginalised, the ignored.

Their characters are richly complex, their genres difficult to attach a singular ontology to, and their settings beyond, within, above, other than, beneath, adjacent to, and out of this world. And yet, they speak to this world, offer insights, ask questions of it, and challenge it.

This is edgy fiction, powerful in its ability to break down boundaries and glimpse something beyond the mainstream, something that challenges our preconceptions, our entrenched ideas about the world, and maybe even our comforts.

Edges are interesting places, places on the boundaries of the world where things can be hidden or revealed. So, let’s set aside the normal, disrupt the normative, question what we believe is true, and let ourselves touch the edge.

From Shakespeare’s The Tempest re-written into space and the cosmos to a bestiary about Unicorns to addictive music, to love between a human and a storm deity, to a closet filled with amber tears, this reading bridges the genre boundaries between science fiction, fantasy, and horror… and between hilarity and sorrow. Click below to listen to Kate Story and Suzanne Church share stories from the edges of imagination.

Explore Trent Radio at www.trentradio.ca

Explore Trent Radio at http://www.trentradio.ca

This audio file was originally broadcast on Trent Radio, and I would like to thank Trent Radio for their continued support. I would also like to thank Dwayne Collins for his consistent tech support and help with the intricacies of creating audio files.

Make sure to allow a few minutes for the file to buffer since it may take a moment before it begins to play.

Poster from the Author reading "Magic Dwelling on the Edges: An Author Reading by Kate Story and Suzanne Church"

Poster from the Author reading “Magic Dwelling on the Edges: An Author Reading by Kate Story and Suzanne Church”