A review of Ursula Pflug’s “The Water Man” In Harvesting The Moon and Other Stories (PS Publishing Limited, 2014)
By Derek Newman-Stille
Water: it runs through all of us, binding us together; we need it but too much of it can kill us; it is reflective and we can see ourselves in it, slightly distorted (which sometimes reveals more than a clean, perfect image); it is changeable. Ursula Pflug plays with the multiplicity of magic embodied in water in “The Water Man”, exploring how water connects us but also reveals that individuality is a fiction and we are made up of multiple parts, always shifting and changing. Pflug takes something as common and ordinary as water and turns it into something extraordinary, revealing for readers that water has always had a quasi-magical quality.
Exploring the life of a mask-maker who creates new artistic visions out of people’s discarded junk, and the weird thoughts that come from sharing water, Pflug explores transformative possibilities, revealing that the static world is entirely one of imagination and that everything is constantly changing. “The Water Man” takes place at a time of celebration, a carnival that reminds viewers that the world is in a perpetual state of death and rebirth as winter becomes spring, that new worlds are always forming and that they need that sleepy time of freezing to dream up new visions of the world.
To discover more about Ursula Pflug, visit her website at http://www.ursulapflug.ca/
To find out more about Harvesting The Moon and Other Stories, visit http://www.pspublishing.co.uk/harvesting-the-moon-hardcover-ursula-pflug-2155-p.asp
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