A review of Lena Ng’s Love Transcendent in We Shall Be Monsters (Renaissance Press, 2018)
By Derek Newman-Stille
Lena Ng’s Love Transcendent is a belle mort tale of transformation. Exploring the Ancient Greek image of the soul represented as a butterfly, Ng explores the idea of death itself as a process of beautiful transformation, as a chrysalis in which the caterpillar of life becomes something majestic and winged after life.
This beautifully macabre tale explores the role of a young doctor seeking to understand the body, who ultimately becomes fascinated with what exists beyond the physical. As much as he is fascinated by the inner workings of the body, he is fascinated by the aesthetics of embodiment. Life evokes a passion for discovery in him that is all-consuming, a desire to understand things that are unfathomable.
This is a tale of a doctor’s obsession born of death and his desire to catch glimpses of the uncanny.
Ng’s tale is a meta tale with a young doctor seeking answers beyond science by picking up the text of Frankenstein, detailing Victor’s success in resurrection and using it for his own model. Yet, Ng complicates the text, illustrating the limits of science and that there is some ephemeral otherness that occurs in death and in resurrection.
This is a tale of a surgeon’s battle between professional detachment and love.
To find out more about We Shall be Monsters, visit Renaissance Press’ site at https://renaissancebookpress.com/product/we-shall-be-monsters/