Upcoming Interview with Julie Czerneda on Thursday February 28

I first encountered Julie Czerneda’s work through my friend and colleague Ellen Bentzen, who was, among other things, a

Photo of Julie Czerneda by Roger Czerneda
Photo of Julie Czerneda by Roger Czerneda

limnologist (a biologist focussed on the study of lake ecosystems) as well as a brilliant teacher and friend. Ellen and I had often talked about the link between science and the arts and the mutual need of science and the arts to support and be in conversation with each other. I was therefore extremely excited when Julie Czerneda said she would be willing to do an interview with me and I am excited to share her insights with all of you readers about the links between speculative fiction writing and science.

In our upcoming interview on Thursday February 28, Julie Czerneda reveals to readers how she balances a life of scientific academic research and science fiction and fantasy writing, reminds us that life itself is weird and well suited for speculative fiction, shares her joy and excitement at the prospect of doing research for a novel and learning something new, and the importance of biology in science fiction writing, the importance of diversity (both ecological and cultural). She reminds us of the importance of curiosity, imagination, and communication for creating a better tomorrow.

Here are some teasers from the upcoming interview:

Julie Czerneda: “From the beginning, to me, biology and science fiction differed in degree, not substance. Biology filled me with wonder and curiosity.  All science does. The universe does. Reading science fiction did that. Writing it? Ah, there was the legal, moral, and fun way to answer my own questions. I was hooked.”

Julie Czerneda: “What I write, the stories I tell, come from what interests me. So there are cool real bits of biology everywhere in my stuff. I couldn’t make up the weirdness of real life.”

Julie Czerneda: “The more I know about something, the more questions I have and the more intense my exploration of that idea will be.”

Julie Czerneda: “It’s interactions that interest me. The interface between any two or more creatures is full of change and adaptation and lovely icky bits. In storytelling — and real life — I’d rather toss a problem at a group of people (or whatever I have in mind at the moment) who’ll each have a different approach to a solution, if they see it as a problem at all.”

Julie Czerneda: “Diversity is, to me, a sign of robust health and a source of possibilities, regardless of where I find it.”

Julie Czerneda: “What I write is who I am.”

Julie Czerneda: “I believe, passionately, that science fictional thinking is a crucial survival skill. We all need to ask questions, to speculate about possible consequences in an imaginative, yet as close to real fashion as possible, and to become able to assess incoming  information in a critical, not cynical manner. Imagination is of immense use, too often undervalued. We who live and breath SF rarely appreciate what a strong and active muscle our minds have developed.”

Julie Czerneda: “I’ve sat, spellbound, in the midst of kindergarten students so caught up in imagining they lived in a space station that they began to sway as if weightless. I watched a group of noisy grade 8 students grow quieter and quieter as they worked through a science fiction scenario about limited resources, only to burst into tears when they realized that their character would sacrifice herself for her younger brother; my eyes were no drier than theirs. The shared experience. The power of imagination. The swell of emotion no less real for coming from a story. Those are the moments.”

Julie Czerneda: “What we can’t imagine, we can’t create. What we can’t imagine, we can’t prepare against or for. Imagination is essential to our survival, as individuals and as a species, and has been for eons. The sad thing is that it can atrophy from lack of use or be stunted by those who’ve lost their own. The best? The more it’s used, the stronger it becomes.”

Julie Czerneda: “Curiosity, to me, demands an open yet questioning mind. When you talk to post-adolescents, curiosity sounds like something kids do, but it’s primal and important to all of us. Children are curious in order to investigate and learn. Society has a tendency to assume the curious should become scientists or explorers or artists, but I think everyone should be, in every aspect of life.”

Julie Czerneda: “How could my work be anything but Canadian? for that’s what I am. My stories lack villains. I like resolving incompatible-seeming goals. I value diversity and expect everyone to queue nicely, even if they can’t quite get along or smell funny. Weather’s often an issue. The endings I prefer don’t have winners and losers, but change and accommodation. I’m optimistic, not solely a Canadian trait, but something being Canadian makes me determined to share.”

Julie Czerneda: “Being Canadian makes it slightly naughty to tell anyone how great we are, but there is a way around it. I sincerely hope we learn to talk more about each other’s great stuff. You there. Reading this. You’re GREAT! Now get back to your own writing.”

I hope you enjoy our upcoming interview on Thursday February 28, and if you are unfamiliar with Julie Czerneda’s work, please check out her website at http://www.czerneda.com and I hope you enjoy her work as much as I have.

Derek Newman-Stille

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